Internally the space is great, room to hide from the weather and not trip over each other. There were three of us for that trip, my partner (who had back problems hence I pitched it largely myself) and young son. Having seen this I dropped the front of the inner tent off the loops so it could not touch in the breeze, problem solved. No issues with the watertight state of the tent generally - with one exception - the inner tent and the outer blew about quite a lot and touched leading to there being some water hitting the inner. People next to us very impressed by the sheer speed.īeing August and a festival we got a good pounding by the rain. No issues, peg the corners, pump up the beams and peg it out. It went up first time and no problems (I did try it at the local park as a first test) at the Cropredy festival where I was pretty much putting it up by myself. I am new to airbeams but took the plunge based on great feedback from people I know with one. I have had two chances in the past month (August) to use the tent in anger. Having just got back from a second outing with this tent I feel able to give some comments. All in all I can't wait for our next trip!īy: Andy-badsey Reason: I own(ed) one Made in: 2015 Rating: So before our next trip I need to work out how to get it fixed. My main problem is that on packing away the cord snapped in the only pole the tent has, now that may have been due to my teenagers enthusiam, but they have taken poles down many times in the past. My favorite bit is the canopy, allowing me somewhere to cook and sit outside with protection from the elements. The mesh door to the front was very useful for our 1st camp in Wales (loads of midges!) The darkened bedroom was very good at keeping the light out in the mornings. It had no problems keeping us dry in the multiple downpours, but it hasn't been tested in the wind yet. I find getting it back into its bag more of a challenge as I can't get rid of all the air, even with the help of my 2 teenage boys. It really is very spacious for the 3 of us. The tent was quick to put up and easy to work out how to inflate, much quicker than our poled icarus version. I always find Vango to be a good manufacturer, so chose this one. I took a leap of faith and bought my first inflatable tent. Younger children are welcome at the discretion of parents and carers, but we recommend the use of ear defenders which will be available for those that require it onsite.2 from 2 people found this review helpful, was it helpful to you?īy: Juliebelper Reason: I own(ed) one Made in: 2017 Rating: Some of the installations feature extremely dark rooms, strobe lights & loud sounds (up to 98db), so we wouldn’t recommend the exhibition for children aged 6 and under. Off-peak tickets are valid on weekdays before 5pm, excluding bank holidays. Opening times can be found on our website.Įntry for children 3y/o and under is free, but you will still need a ticket. Please note that the venue closes 60 minutes after the last available time slot. Our tickets are timed so that our spaces are not too busy. We recommend booking a ticket in advance of your visit to avoid missing out on the day. Menkman's narrative is based on research she did at the NeMe Arts Centre, Cyprus during her European Media Art Platform residency. In 2019 she was awarded the Collide Arts at CERN Award. Menkman is the author of Glitch Moment/um (2011), Beyond Resolution (2020) and recently edited the Im/Possible images reader (2023). Defined as a noise artefact that results from an accident in either digital or analogue media, glitches can provide insight into the otherwise obscure alchemy of media resolutions. Rosa Menkman is a Dutch artist and researcher interested in the possibility of the glitch. Kimchi and Chips have presented their work at the National Museum of Contemporary Art (MMCA Korea), ZKM Center for Art and Media, Somerset House, Ars Electronica, ACC Gwangju, Zeche Zollverein, SxSW and Resonate Festival. As well as presenting their ideas through their installations, they share them as open-source software that are used by other creative practitioners and popular software toolkits. Son and Elliot are recognised as pioneers in volumetric imagery and advanced 3D projection. Rather than separating these disciplines, the duo combine Buddhist philosophy with computer coding, electromagnetics and optical systems. Their large-scale installations explore the intersection of art, science and philosophy. Kimchi and Chips is a Seoul-based art collective founded in 2009 by Mimi Son and Elliot Woods.
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